Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Jean-Achille Benouville
View of a Roman Villa

ID: 83874

Jean-Achille Benouville View of a Roman Villa
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Jean-Achille Benouville View of a Roman Villa


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Jean-Achille Benouville

(15 July 1815, Paris - 8 February 1891, Paris) was a French landscape painter of the academic painting school, known for his Italian landscapes. François-Leon Benouville was his younger brother.   Related Paintings of Jean-Achille Benouville :. | Italian Hill Town | Villa Medici, Rome | View of the Ponte Nomentano in the Roman Campagna | Italian Hill Town | Colosseum Viewed from the Palatine |
Related Artists:
Massimo d Azeglio
1798-1866
Master of Saint Giles
The Master of Saint Giles (French: Maître de Saint-Gilles) was a Franco-Flemish painter active, probably in Paris, about 1500, working in a delicate Late Gothic manner, with rendering of textures and light and faithful depictions of actual interiors that show his affinities with Netherlandish painting. It is not clear whether the Master of Saint Giles was a French painter who trained in the Low Countries (perhaps more likely), or a Netherlander who emigrated to France. His pseudonym was given him by Max Friedländer, who reconstructed part of the anonymous painter's oeuvre, starting from two panels devoted to Saint Giles (a Miracle and a Mass) in the National Gallery, London, that were part of the lefthand shutter of an altarpiece, and two further panels now in Washington from the same altarpiece. The hand of an assistant can be discerned in the Baptism of Clovis at the National Gallery of Art, Washington, who also have a panel with Episodes from the Life of a Bishop-Saint - perhaps Saint Leu, Saint Denis or Saint Remy. All four panels have, or had, single grisaille figures of saints (Saints Peter, Giles, Denis and an unidentified bishop-saint) in niches, imitating sculpture, on the reverse. The Washington pair, which were in poor condition, have been separated and are lost, although photographs exist. Undoubtedly there were further panels, whose subjects cannot be guessed, as the combination of scenes is original.
Nicolas-Antoine Taunay
painted Le Theatre de la Folie in 1805(1805) until 1810






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